Ladies and gentleman ,,,,, bwt kamu-kamu yg suka banged ng’dance niyh ,,,,,
Tango Canyengue
Tango canyengue is a rhythmic style of tango that originated in the early 1900s and is still popular today. It is one of the original roots styles of tango and contains all fundamental elements of traditional Tango from the Rio de la Plata region (Uruguay and Argentina). In tango canyengue the dancers share one axis, dance in a closed embrace, and with the legs relaxed and slightly bent. Tango canyengue uses body dissociation for the leading, walking with firm ground contact, and a permanent combination of on- and off-beat rhythm. Its main characteristics are its musicality and playfulness. Its rhythm is described as "incisive, exciting, provocative". The complex figures of this style became the basis for a theatrical performance style of Tango seen in the touring stage shows. For stage purposes, the embrace is often very open, and the complex footwork is augmented with gymnastic lifts, kicks, and drops.
[edit]Tango nuevo
Main article: Nuevo tango
A newer style sometimes called tango nuevo or "new tango" has been popularized in recent years by a younger generation of dancers. The embrace is often quite open and very elastic, permitting the leader to initiate a great variety of very complex figures. This style is often associated with those who enjoy dancing to jazz- and techno-tinged, electronic and alternative music inspired in old tangos, in addition to traditional Tango compositions.
Tango nuevo is largely fueled by a fusion between tango music and electronica, though the style can be adapted to traditional tango and even non-tango songs. Gotan Project released its first tango fusion album in 2000, quickly following with La Revancha del Tango in 2001.Bajofondo Tango Club, a Rioplatense music band consisting of seven musicians from Argentina and Uruguay, released their first album in 2002. Tanghetto's album Emigrante (electrotango) appeared in 2003 and was nominated for a Latin Grammy in 2004. These and other electronic tango fusion songs bring an element of revitalization to the tango dance, serving to attract a younger group of dancers.
[edit]Ballroom tango
Main article: Tango (ballroom)
Ballroom tango, divided in recent decades into the "International" (Yogita) and "European" styles, has descended from the tango styles that developed when the tango first went abroad to Europe and North America. The dance was simplified, adapted to the preferences of conventional ballroom dancers, and incorporated into the repertoire used in International Ballroom dance competitions. English tango was first codified in October 1922, when it was proposed that it should only be danced to modern tunes, ideally at 30 bars per minute (i.e. 120 beats per minute – assuming a 4/4 measure).
Subsequently the English tango evolved mainly as a highly competitive dance, while the American tango evolved as an unjudged social dance with an emphasis on leading and following skills. This has led to some principal distinctions in basic technique and style. Nevertheless there are quite a few competitions held in the American style, and of course mutual borrowing of technique and dance patterns happens all the time.
Ballroom tangos use different music and styling from the tangos from the Rio de la Plata region (Uruguayand Argentina), with more staccato movements and the characteristic "head snaps". The head snaps are totally foreign to Argentine and Uruguayan tango, and were introduced in 1934 under the influence of a similar movement in the legs and feet of the tango from the Rio de la Plata, and the theatrical movements of the pasodoble. This style became very popular in Germany and was soon introduced to England, one of the first proponents being Mr Camp. The movements were very popular with spectators, but not with competition judges.[9]
Balerina Terkenal,Perintis balet di Indonesia dan Penari balet terkenal di Indonesia
Posted by kesenian
- Ana Pavlova
- Margot Fonteyn
- Ekaterina Makarova
- Gilsey Kirkland
- Sylvie Guillem
- Darcey Bussell
- Alessandra Ferri
- Nina Ananiashvili
- Gillian Murphy
- Svetlana Zakharova
- Tamara Rojo
- Nanny Anastasia Lubis
- Farida Oetoyo
- Maya Tamara
- Tanneke Burki
- Farida Feisol
- Ade Rayanti
- Yulianti Parani
- James Danandjaja
- Valerianus Welly
Source: http://www.salsa-clinic.com/sls_his.htm
Dansa adalah kegiatan yang membutuhkan pasangan dan pasangan lainnya
sebagai penyemarak. Hampir semua jenis dansa punya sejarah sosialnya
sendiri-sendiri. Slow waltz mulai dikenal pada pertengahan tahun 1700-an di kalangan bangsawan Eropa.
Slow waltz yang romantik merupakan "keturunan" dari Vienese waltz yang
bertempo lebih cepat. Tempo 3/4 yang digunakan sebelumnya diperlambat
seiring dengan para penulis lagu balada yang bertutur soal kisah cinta.
Keanggunan waltz kalau dalam lagu kira-kira seperti Tennesse Waltz yang
dilantunkan oleh penyanyi Tom Jones dulu.
Dansa terdiri dari dua dansa yang populer, yakni karakteristik Latin
dan karakteristik ballroom standar. Dansa Latin, misalnya cha cha,
rumba, samba, jive, dan paso double. Sedangkan yang disebut ballroom
standar (standard ballroom) antara lain waltz, romantic, slow foxtrot, quick step vienese waltz, dan tango.
[sunting] Dansa di Indonesia
Merebaknya dansa-dansa asing ke Indonesia ini juga punya imbas pada dansa tradisional, yang kemudian diadopsi menjadi line dance-dansa yang berbaris-baris itu. Yang sangat populer saat ini dan barangkali membuat sebagian orang bahkan bosan melihatnya, adalah poco-poco. Poco poco, sajojo, serampang dua belas, menjadi akrab di lantai-lantai dansa. Khusus yang terakhir itu, serampang dua belas, mulai banyak ditarikan di lantai dansa seiring populernya penyanyi dari Malaysia, Siti Nurhaliza yang menyanyikan lagu Cindai dengan irama Melayu. Sedangkan sajojo berasal dari Indonesia Timur, menggunakan lagu Sajojo yang pernah dipopulerkan Black Brothers (kelompok remaja AB Three juga pernah menyanyikan lagu itu dalam albumnya dengan sangat segar).Madame Tussauds adalah sebuah museum lilin terkenal di London, Inggris,
dengan cabang-cabang di beberapa kota besar di dunia.
Museum ini
pertama kali didirikan oleh pematung lilin Marie Tussaud (1761-1850).
Dan kini telah berkembang menjadi sebuah tujuan wisata di London.
Teknik pembentukan dengan alat putar dapat menghasilkan banyak bentuk yang simetris (bulat, silindris) dan bervariasi. Cara pembentukan dengan teknik putar ini sering dipakai oleh para pengrajin di sentra-sentara keramik. Pengrajin keramik tradisional biasanya menggunakan alat putar tangan (hand wheel) atau alat putar kaki (kick wheel). Para pengrajin bekerja di atas alat putar dan menghasilkan bentuk-bentuk yang sama seperti gentong, guci dll
Teknik pembentukan dengan cetak dapat memproduksi barang dengan jumlah yang banyak dalam waktu relatif singkat dengan bentuk dan ukuran yang sama pula. Bahan cetakan yang biasa dipakai adalah berupa gips, seperti untuk cetakan berongga, cetakan padat, cetakan jigger maupun cetakan untuk dekorasi tempel. Cara ini digunakan pada pabrik-pabrik keramik dengan produksi massal, seperti alat alat rumah tangga piring, cangkir, mangkok gelas dll